A verse’s chord progression is sometimes short and strong, sometimes long and wandering. But no matter what its character, or how long or short it is, it usually does one important thing: it aims for the first chord of the chorus. Sometimes a verse will start in a key that’s different from the chorus. Often […]
When you look at a song’s lyric as displayed on a website or written down on paper, you’re not often aware that the nature of the lyric changes as the song progresses. But it does, and it’s important to get this right if you’re the lyricist. When we talk about a song’s form, at least in […]
If you like the chords-first songwriting process, but lately you’re coming up dry when it comes to good chord ideas, try this: Create a short, simple, 3-chord progression in some major key: I-IV-V-I (example: C F G C) Repeat that progression. Follow it with the relative minor equivalent of that: vi-ii-iii-vi (example: Am Dm Em […]
The most recognizable section of practically any song will be the chorus. That’s because it’s likely to contain the “hookiest” part – the melodic/rhythmic idea that everyone will recognize. The verse melody is also going to be recognizable for the fact that it starts the song — it’s the first thing people hear. Get “The Essential […]
There’s a quick answer to why you’d ever use a pre-chorus in your song: by the time you get to the end of the verse, it feels too soon for the chorus. A pre-chorus is that little optional section that sits in between the verse and chorus. Choruses tend to be more energetic than verses, and […]
Over the past number of years, I’ve worked with songwriters mostly via email and/or Skype. Every songwriter has their issues, the problems they’re trying to solve. If I were to make a list of every problem songwriters are dealing with, a song that’s too short wouldn’t be on it. Let me qualify that. There are lots of […]
