When it comes to a song’s melody, there’s a standard kind of “formula” that practically all songs in a verse-chorus format use: Verse: Start the melody relatively low in pitch, and move higher as it comes closer to the chorus. Chorus: Keep the chorus relatively high in pitch. If the end of the verse is […]
If you’re looking for a song that has what amounts to being a textbook definition of a pre-chorus, that song would be Neil Diamond’s “Sweet Caroline.” The pre-chorus section (“Hands, touchin’ hands/ Reachin’ out,/touchin’ me, touchin’ you”) moves step-by-step higher while the instrumentation builds, the vocal style becomes edgier, and everything gets louder. Those are […]
A pre-chorus is an optional section that sits between the verse and chorus. There are several reasons why you might choose to use a pre-chorus in a song, the most common reasons being any combination of the following: The verse is quite short. The verse melody is very repetitive. The beginning of the chorus is […]
Most songs use several distinct melodies. If your song has a pre-chorus and bridge, that means that you might need to come up with at least four different melodies. Each one of those melodies will likely use a different chord progression, and they might also use very different rhythms. “The Essential Secrets of Songwriting”Lyrics become […]
The conventional wisdom is that a song’s chorus should be happening by the time you get to the 1-minute mark, or even sooner. A chorus that happens after the 1-minute mark can work just fine, though, particularly if the song is in a slow ballad style. Deciding when it feels right for the chorus to […]
A pre-chorus is not a mandatory section of a song. In fact, most songs don’t use them. But in some circumstances, a pre-chorus can be a vital addition to the structure of a song. It sits between the verse and chorus, and its main purpose is to better prepare the listener for the arrival of […]
