For most good songs in the pop genres, getting a hook working properly is vital. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” shows you how hooks have made the world’s top songs successful. If you’ve not ever kept a songwriter’s journal, I highly recommend that you start. […]
One thing all pop music subgenres have in common, with the possible exception of progressive rock, is that the songs are short. Most of the time you need to offer your audience a complete work of artistic expression that lasts four minutes or less. In the creative arts, that’s not very long. Back in the […]
The best songwriters that I know consider themselves to be “students” of songwriting, even if only in an unofficial sense. They consider every song that they hear to be an opportunity to learn something. The problem with being a student of songwriting is that we all hold very strong opinions about music. We have our […]
There are many ways to improve your skills as a songwriter, and the best songwriters use a combination of many. These will include: Discussions with other songwriters. Discussions with other non-songwriting musicians (including players, producers, engineers, etc.) Studying the craft of songwriting (via written texts, videos, one-on-one sessions with instructors, etc.) Keeping a songwriting journal […]
What do you do when you’ve got a day — or a week or a month — where your creative juices are letting you down? What do you do when songwriting, which used to be fun, exciting and fulfilling, is now frustrating? Feeling that you’re getting nowhere with your songwriting often comes from setting the […]
If you want success in writing music, you need to be able to listen to your own music objectively, and to be able to judge it objectively. I’ve written a lot on this blog about how to do that (here’s one article, for example: How Objective Listening Improves Your Songwriting). To listen objectively ends up being this: […]
