A key part of success when it comes to song melodies is writing something that audiences easily remember. If it’s possible to consider beauty and memorability as two separate entities, it’s worth spending a bit of time thinking about a) what makes melodies beautiful, and b) what makes them easy to remember. You’re going to […]
How much of a connection should a listener hear between the verse and chorus? In other words, except for tempo, key and general feel, can a verse melody set up a chorus well if it bears little to no similarity to that chorus melody? Take the classic hit “Witchy Woman” (Don Henley, Bernie Leadon). Compare […]
I’ve written a few articles on this blog about the notion of drawing a line that represents your melody (like this article I wrote a few years ago). It’s not just that it’s kind of neat to see your melody sketched out as a line; there is a real purpose and benefit from seeing your […]
If you were to ask for a generic definition from the average layperson for a melody, they’d probably come up with something like: “A series of notes that move up and down.” You’d then remind them that backing vocals also comprise a series of notes that move up and down, and that’s when we start […]
When it comes to creating beautiful song melodies, the actual notes you use isn’t all that important. No one remembers notes, because no one knows what notes you’re using in the first place. What people remember are shapes and rhythms. Knowing how to get a melody working well with the chords and lyrics is a crucial part […]
Do you get stuck at the melody-writing stage of songwriting? Do you find chords easy, but melody hard? What can you do to come up with melodies that are enticing and attractive to an audience? Melodies and lyrics are the trickiest parts of songwriting for most songwriters, because those are likely the parts of songs […]
