If you like starting songs by working with a chord progression, you need to read “Writing a Song From a Chord Progression.” It will give you the pros and cons of this songwriting method, and help you create songs that really work! Many years ago I was a band teacher for a junior high school. […]
The 1960s hit song “I Heard It Through the Grapevine“, written by Norman Whitfield and Barrett Strong, was a Motown hit for several groups. Gladys Knight & the Pips released it in 1967, and it went to number 1 on the R&B Singles chart. You’re probably more familiar with the Marvin Gaye version, released in […]
Whether you come up with the chords and then create a melody, or have a melody that you want to add chords to, you need to be sure that the chords are properly supporting the melody. When chords and melody work well together, you have the happy circumstance that they both sound better than they […]
For some songwriters, songwriting seems to be all about writing a great melody. Paul McCartney, Joni Mitchell, Paul Simon, Barry Gibb — these are all songwriters for whom the success of their songs is often easily attributable to the quality of the melodies they write. I mention this, because not all great songs need to […]
I’m a trumpet player, though these days I do more writing and conducting than trumpet playing. Back when I was starting out, I was in final rehearsals for a one-off orchestra I had been hired to play in. I noticed that the principal trumpeter had a small ring of brass — sort of doughnut-shaped –that […]
Pop songs are typically 3 or 4 minutes in length. And because this is not a long bit of time we’re talking about, it can be a problem if you put too many ideas together when you write that song. Think of it as a kind of musical “economy.” You’ll use one melody for the […]
