One of the biggest challenges for songwriters is to write something that’s unique and innovative, but not so unique that it turns your target audience away. At the same time, if it’s not unique enough — if it’s too predictable — you’ll also turn audiences away because they’re bored: they can hear what’s coming before you […]
For songs that use one of the verse-chorus formats, you’ll know that verses usually use the same melody but different lyrics. Occasionally you’ll find a song that uses different melodies in the verses — “I Know What I like (In Your Wardrobe)“, by Genesis for example, or a song with the same lyrics in subsequent […]
“The Essential Secrets of Songwriting” eBook bundle includes “Writing a Song From a Chord Progression”. Learn how to write great songs by starting with the chords, and then avoiding all the potential pitfalls of the chords-first songwriting process. Recently I wrote about the importance of musical energy in all songs, whether they’re loud or soft, and that […]
If you’re looking for a song that has what amounts to being a textbook definition of a pre-chorus, that song would be Neil Diamond’s “Sweet Caroline.” The pre-chorus section (“Hands, touchin’ hands/ Reachin’ out,/touchin’ me, touchin’ you”) moves step-by-step higher while the instrumentation builds, the vocal style becomes edgier, and everything gets louder. Those are […]
Sometimes you’ll find that studying songs from a genre not your own is a really great way to expand on what you do. Songwriting principles usually apply across genres, and hearing a principle demonstrated in a different genre can act as a kind of metaphor for your own. The same thing happens when you study […]
“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]
