If you’ve been reading my blog at all, you know that even though I love complexity in songwriting, I have a deep appreciation for musical simplicity. There’s something enticing about just letting a simple melody have its way. A perfect recent example of how a simple song can soar to the top of the charts […]
Not every song will have a notable melody. In general terms, the slower the song, the more important the melody becomes. Perhaps that’s because slower songs use melodies that use longer notes, making them more noticeable. With fast songs, melody notes typically fly by, and the basic groove of the song is probably more important. […]
A song melody is made up of notes that either move by step (i.e. adjacent notes: C-D-E-D-E-F…) or by leap (i.e. skipping a note, or several notes, to get the next note: C-A). It’s probably correct to say that most song melodies use stepwise motion more than leaps. Some songs might use mostly leaps in […]
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John Lennon tells the story that Yoko was playing Moonlight Sonata on the piano and he asked her to play the chords backwards. From that reversed performance he composed his song “Because”, from The Beatles’ “Abbey Road” album. I’ve listened to Moonlight Sonata many times, including listening to it backwards (on YouTube you can find […]
If you take a look back — way back — into the history of music composition, you’ll discover that writing music meant writing melodies. If you listen to something written in, say, around 1550, you’ll hear several melodies being sung together, harmonizing with each other, but not purposely creating chord progressions. The chords were incidental; chords […]
