Do you find yourself wishing that your chord progressions were just a little more interesting? Here’s a quick tip for taking something that’s basic and simple to come up with something that sounds more imaginative: transpose your progression. Here’s what I mean. Let’s say that you’ve been improvising on a simple progression like: C Dm […]
It used to be that “repeat-and-fade” was the most common way to end a pop song. There was something nice about it — a sense of “riding off into the sunset” that had the effect of making you feel that the song was still out there somewhere. These days, repeat-and-fade is a lot less common. […]
If you like studying the chord progressions used in your favourite songs, you’ll know that a minor key verse leading to a major key chorus is pretty common. But most of the time, that minor key will be what’s called the relative minor of the major key that follows. Trying to get a handle on writing […]
Good songs are almost always about contrasts. If you look closely at chord progressions, you’ll notice major and minor chords: opposites working together. With instrumentation, you’ll often see sparse, transparent sections (often the verse) contrasting with fuller, busier parts (the chorus). Contrast is an important part of what keeps listeners coming back to your song. […]
The tonic chord, which represents the key of your song (or song section), acts as a kind of tonal anchor: it sounds like “home”, and when you move away from it, your ears automatically listen for its return. You hear that easily in this basic progression: C Am Dm G7 C If you look deeper […]
How much thought do you give to the note you choose to start your song melodies on? It may seem trivial because from that first note you can move in any direction you want, and so it may not feel as though it matters a whole lot, once you’re a few notes in. But I […]
