You may think that a good chord progression is the end result of a random process, but it rarely is. If you spend your time playing one random chord after another, you’ll be looking for a long time before you find something that works. I don’t know about you, but I certainly don’t have the […]
The 1960s hit song “I Heard It Through the Grapevine“, written by Norman Whitfield and Barrett Strong, was a Motown hit for several groups. Gladys Knight & the Pips released it in 1967, and it went to number 1 on the R&B Singles chart. You’re probably more familiar with the Marvin Gaye version, released in […]
By creative chords, I mean any progressions that stray from the typical 3- or 4-chord changes that strongly reinforce the key your song is in. Standard progressions are the most common ones you’ll find in most of the pop genres, like: I-IV-V-I (C-F-G-C) I-ii-V-I (C-Dm-G-C) I-vi-IV-I (C-Am-F-C) I-vi-V-I (C-Am-G-C) There are more to add to […]
I wonder if I can be forgiven for not being aware of the quality of Kiefer Sutherland’s music. I’ve always known him as an excellent actor (24, Designated Survivor, etc.). But I wasn’t at all familiar with his music. And it’s very good. He’s released two albums to date: “Down in a Hole” (2016) and “Reckless […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. About seven years ago I wrote a blog post about the best way to create chord progressions for a song’s bridge. I […]
A refrain is not a short chorus. It’s better thought of as the end of a long verse. In that respect, since most song refrains will end on the tonic chord (the I-chord of your chosen key), the best chord progressions for a refrain will be ones that drive strongly toward that tonic chord by […]
