Songwriting formulas are usually spoken of in a negative way. That’s because inherent in the term “formula” is the notion that if you do certain things, you’ll get a predictable result. And if you’re like most songwriters, “predictable” is not what you’re after. There are many kinds of formulas that are used in songwriting. Some […]
Do you ever go through periods of time when lyrics just seem to suddenly come easily to you? Or perhaps it’s creating melodies, where you used to find melodies difficult. Every once in a while you’ll find that to be the case: you’ll suddenly go through a very creative time. You might wonder what to […]
The tonic chord, which represents the key of your song (or song section), acts as a kind of tonal anchor: it sounds like “home”, and when you move away from it, your ears automatically listen for its return. You hear that easily in this basic progression: C Am Dm G7 C If you look deeper […]
Yesterday’s blog was all about using chord inversions — so-called “slash chords” — in your songs. It got me thinking about other aspects of chord use in songs. Here is a quick list of five things every songwriter should know about this very important topic: 1. Chords work very much the same way regardless of […]
An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
If you’ve written a song that seemed to start with great promise, but now that it’s finished it sounds downright boring, it may be hard to put your finger on exactly what the problem is. But solving the problem is crucial, because it’s possible that you’re doing something wrong that’s been affecting all the songs […]
